Wednesday, December 4, 2024

TOP 10 MOST DISAPPOINTING ALBUMS OF 2024...

 



As I say every year, it's the list I least enjoy putting out but here goes:



1. Nilufer Yanya MY METHOD ACTOR: 





everything was fine after track two and then this monotone wall of sound embarks and for one Yanya gets lost.



2. Liv. e PAST FUTUR.E:  





sounds like rejects from last year's immense project.



 3. Clairo CHARM: 




sounds slightly unfocussed.




4. Bon Iver SABLE EP: 




okay so this is unfair but we have been waiting post-COVID solo music from the band and this was a mere snack.



5. Michael Kiwanuka SMALL CHANGES: 




just a bit tame and boring.


 
6. Ty Segall THREE BELLS:  




maybe time for a break.


7. Jane Weaver LOVE IN CONSTANT SPECTACLE:  




spins and spins but fails to connect fully.


8. The Voidz LIKE ALL BEFORE YOU:  




it's like getting to open a pinata and finding no treats.



9. Childish Gambino BANDO STONE AND THE NEW WORLD: 




not sure what the aim of this was.



10. John Grant THE ART OF THE LIE: 




 slowly getting back to a fun point but not quite there yet.


Tuesday, December 3, 2024

TOP 10 MOST OVERRATED ALBUMS OF 2024:

 



Every year I am baffled by some choices hyped by critics and this year here is the baffling batch:



1. Adrianne Lenker BRIGHT FUTURE (METACRITIC SCORE 8.7/10):




Lenker's one tone delivery bewitches critics every time...I can't claim to be a fan but it would be interesting to hear more variety and grit.




2. Beth Gibbons LIVES OUTGROWN (METACRITIC SCORE 8.9/10):




 who among us trip/hop fans doesn't love Portishead and, even more, Gibbons but alas those days are long over.




3. MJ Lenderman MANNING FIREWORKS (METACRITIC SCORE 8.9/10): 




even after repeated listens, I still can't hear the gems.


 

4. The Cure SONGS OF A LOST WORLD (METACRITIC SCORE 9.3/10): 




away for a long time and although there are pockets of sweet reverb, it begins to sound way too predictable after a while.


 
5. Blood Incantation ABSOLUTE ELSEWHERE (METACRITIC SCORE 9.2/10):





 there's always that one metal record every year-end publication crows as epic.


6. Sabrina Carpenter SHORT N’ SWEET (METACRITIC SCORE 8.2/10): 




guess it's a case of her being in the right place at the right time because the music is bland at best.


7. Kim Gordon THE COLLECTIVE (METACRITIC SCORE 8.4/10):




the cool rocker aunt image aside, it's hard to sift through the total opaqueness of this record.


8. Jessica Pratt HERE IN THE PITCH (METACRITIC SCORE 8.9/10): 




a breezy but uninteresting run.