![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis1gwDme1gtzv0XbdxWLa_vO3p6nrL5Budgc7M8Gx-MHA1pYmTNMZ4hrQoYCocCF2DutkGmaEeaYT_D266Tc7fuHgnzRVF1wY8DbbYwWOV4hvYT_724WB-Vpewni7smryZT1-0YK3U7IVp/s320/theshins.jpg)
The Shins “Chutes Too Narrow” (2003):
once The Shins made the switch from keyboards to guitars they unleashed this glorious wall of sound on an unsuspecting public. There is a indie swagger here that tips a track like So Says I into the authoritative mode that resounds throughout. Lead singer, James Mercer is a man in control of not only himself but his musical output. You hear it juxtaposed with a symphonic sampling of Saint Simon, where guitars are used to paint a position of vulnerability. Fighting in a Sack then reverses the trend with a sing-along chorus and sheer aggression. Musically, even if a track like Turn a Square doesn’t spin much lyrically, the pummeled beats are a great treat. Ditto the tight harmonies that wrap Kissing the Lipless and Mine’s not a High Horse.
No comments:
Post a Comment